FAQ

No. Load a preset and pull the Comp fader. Disperse and Reverse are there when you want sweeps and snap, and the display shows what they're doing over a live spectrum of your track.

Drums, bass, vocals and the mix bus are home turf, and the factory bank is sorted that way. The Laser FX and Weird Science banks turn ordinary hits into sound design.

True mode for mixing and bouncing: it's the full engine, and your DAW compensates for its latency. Live mode for tracking and performing: no engine latency, down to 0 ms with Lookahead and Oversampling off, and a character of its own.

That's the design. Auto Makeup raises the level as the compressor works, so the sound gets denser and louder rather than just quieter. Switch Auto Makeup off in the Advanced drawer if you want plain gain reduction.

No. Safety is a session setting. Presets never change it.

No. Modulation stays inside the plugin and never writes to your DAW's lanes. You can use both together.

Yes to both. Pyrosphere runs on mono and stereo tracks, and has an optional mono or stereo sidechain input for the compressor and the Audio trigger.

Once, to activate a licence. During the trial, for a moment once a day.

One serial key works on up to three computers. Activate on each one.

Updates are guaranteed for 5 years. Download them from your Payhip purchase link or account center, or download the trial again from the store page.

No, all sales are final. That's why the trial gives you every feature for 20 days: try it in your own setup before you buy.

Not necessarily. Pristine is the most exact and has the most latency. Lower tiers can sound more interesting because they leave a little of the phase effect in place.

Yes. Presets are .gdsp files in your preset folder. Send them to another Pyrosphere user, who adds them as described in Add a preset pack.